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Land Observations - The Grand Tour - Vinyl

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Land Observations - The Grand Tour - Vinyl

Catalogue Number: STUMM369
Release Date: 28 July 2014

The Grand TourĀ is the follow up to 2012’s critically acclaimed debut album,Ā Roman Roads IV-XI. Where that was concerned with the roads of communication and conquest that stretched across the former Roman Empire and Republic, the new album creates an imaginary travelogue through Western, Central and Southern Europe with reference to the historic Grand Tour, a traditional rite of passage for wealthy University graduates, finding popularity in the 18th century.

OnĀ The Grand Tour, the landscape gives inspiration to the speed, pace and momentum of the journey – the swiftĀ ā€˜Flatlands And The Flemish Roads’ mirroring the horizontal unimpeded journey of the lowlands, slowing intoĀ ā€˜From The Heights Of The Simpson Pass’ as we climb up one of the highest mountain routes in the Swiss Alps; sweeping down and across to the majesticĀ ā€˜Nice To Turin’ and meandering the elegant Strasses of Vienna, with its ornate, baroque architecture and streets infused with its musical history onĀ ā€˜Ode To Viennese Streets’.

The record’sĀ The Grand TourĀ continues through its itinerary to the cities of Venice, Florence, Rome before finally heading back. OnĀ ā€˜Return To Ravenna’, a beginning and an end is at once signalled. It’s the end of the tour, and the beginning of the journey home – a track with an intentional reference to Land Observations’ debut, album, where Brooks celebratedĀ ā€˜Via Flaminia’, the Roman road between Rome and Ravenna, once a major city in classical culture.

As such, the album is not concerned with arrival, its concern is with the journey, the experiences, the momentum of travel through re-imagining a grand tour.

For theĀ The Grand Tour’s artwork James Brooks has made a series of postcard drawings which utilise various found tourist and holiday postcards. Directly responding to each postcard’s unique design layout, he has produced a series of abstract, geometric drawings of only their specific surface areas and design skeleton.

  1. On Leaving The Kingdom For The Well-Tempered ContinentĀ 
  2. Flatlands And The Flemish RoadsĀ 
  3. From The Heights Of The Simplon PassĀ 
  4. Nice To TurinĀ 
  5. Ode To Viennese StreetsĀ 
  6. The Brenner PassĀ 
  7. Walking The Warm ColonnadesĀ 
  8. Return To Ravenna

Catalogue Number: STUMM369
Release Date: 28 July 2014

The Grand TourĀ is the follow up to 2012’s critically acclaimed debut album,Ā Roman Roads IV-XI. Where that was concerned with the roads of communication and conquest that stretched across the former Roman Empire and Republic, the new album creates an imaginary travelogue through Western, Central and Southern Europe with reference to the historic Grand Tour, a traditional rite of passage for wealthy University graduates, finding popularity in the 18th century.

OnĀ The Grand Tour, the landscape gives inspiration to the speed, pace and momentum of the journey – the swiftĀ ā€˜Flatlands And The Flemish Roads’ mirroring the horizontal unimpeded journey of the lowlands, slowing intoĀ ā€˜From The Heights Of The Simpson Pass’ as we climb up one of the highest mountain routes in the Swiss Alps; sweeping down and across to the majesticĀ ā€˜Nice To Turin’ and meandering the elegant Strasses of Vienna, with its ornate, baroque architecture and streets infused with its musical history onĀ ā€˜Ode To Viennese Streets’.

The record’sĀ The Grand TourĀ continues through its itinerary to the cities of Venice, Florence, Rome before finally heading back. OnĀ ā€˜Return To Ravenna’, a beginning and an end is at once signalled. It’s the end of the tour, and the beginning of the journey home – a track with an intentional reference to Land Observations’ debut, album, where Brooks celebratedĀ ā€˜Via Flaminia’, the Roman road between Rome and Ravenna, once a major city in classical culture.

As such, the album is not concerned with arrival, its concern is with the journey, the experiences, the momentum of travel through re-imagining a grand tour.

For theĀ The Grand Tour’s artwork James Brooks has made a series of postcard drawings which utilise various found tourist and holiday postcards. Directly responding to each postcard’s unique design layout, he has produced a series of abstract, geometric drawings of only their specific surface areas and design skeleton.

  1. On Leaving The Kingdom For The Well-Tempered ContinentĀ 
  2. Flatlands And The Flemish RoadsĀ 
  3. From The Heights Of The Simplon PassĀ 
  4. Nice To TurinĀ 
  5. Ode To Viennese StreetsĀ 
  6. The Brenner PassĀ 
  7. Walking The Warm ColonnadesĀ 
  8. Return To Ravenna
$16.80

Original: $48.00

-65%
Land Observations - The Grand Tour - Vinyl—

$48.00

$16.80

Description

Catalogue Number: STUMM369
Release Date: 28 July 2014

The Grand TourĀ is the follow up to 2012’s critically acclaimed debut album,Ā Roman Roads IV-XI. Where that was concerned with the roads of communication and conquest that stretched across the former Roman Empire and Republic, the new album creates an imaginary travelogue through Western, Central and Southern Europe with reference to the historic Grand Tour, a traditional rite of passage for wealthy University graduates, finding popularity in the 18th century.

OnĀ The Grand Tour, the landscape gives inspiration to the speed, pace and momentum of the journey – the swiftĀ ā€˜Flatlands And The Flemish Roads’ mirroring the horizontal unimpeded journey of the lowlands, slowing intoĀ ā€˜From The Heights Of The Simpson Pass’ as we climb up one of the highest mountain routes in the Swiss Alps; sweeping down and across to the majesticĀ ā€˜Nice To Turin’ and meandering the elegant Strasses of Vienna, with its ornate, baroque architecture and streets infused with its musical history onĀ ā€˜Ode To Viennese Streets’.

The record’sĀ The Grand TourĀ continues through its itinerary to the cities of Venice, Florence, Rome before finally heading back. OnĀ ā€˜Return To Ravenna’, a beginning and an end is at once signalled. It’s the end of the tour, and the beginning of the journey home – a track with an intentional reference to Land Observations’ debut, album, where Brooks celebratedĀ ā€˜Via Flaminia’, the Roman road between Rome and Ravenna, once a major city in classical culture.

As such, the album is not concerned with arrival, its concern is with the journey, the experiences, the momentum of travel through re-imagining a grand tour.

For theĀ The Grand Tour’s artwork James Brooks has made a series of postcard drawings which utilise various found tourist and holiday postcards. Directly responding to each postcard’s unique design layout, he has produced a series of abstract, geometric drawings of only their specific surface areas and design skeleton.

  1. On Leaving The Kingdom For The Well-Tempered ContinentĀ 
  2. Flatlands And The Flemish RoadsĀ 
  3. From The Heights Of The Simplon PassĀ 
  4. Nice To TurinĀ 
  5. Ode To Viennese StreetsĀ 
  6. The Brenner PassĀ 
  7. Walking The Warm ColonnadesĀ 
  8. Return To Ravenna
Land Observations - The Grand Tour - Vinyl | Mute Bank